Hating the gift

Lisa met Johny in a comment section for a post about a new pair of shoes that, for a couple of days, everyone seemed to talk about. 

They discussed and bonded over their shared hatred for the original poster -- who, in their opinion, wasn't cultured enough to voice their opinions.

They quickly started talking more and developed a close relationship rooted in complaining about pop culture; they fancied themselves unique.

However close they might have been, their physical distance did not help to resolve their otherwise lonely and empty existence.

Generally, most distances are reachable. Unfortunately for them, a human could not travel this route. It just was not possible.

But when Johny went to the post office to send back a recently no longer trendy sweater (he had ordered it when it was still stylish, it arrived late and now clearly wasn't,) he noticed that he could fit into the grandest allowed box.

So he shipped himself to Lisa, but the moment their eyes met, they found another shared thing they could hate -- each other.

Long legged monster

If you don't know, you may be one of them, but in this world, there are a lot of monsters. There isn't much of a problem being a monster, and if you want to be friendly, you might choose not to call them that -- what is a 'monster' anyway? But there is no need to be friendly around these parts. 

I played, learned, and grew like anyone else, with similar friends, so you might've called me normal, that's at least how we viewed each other.

Only many years into high school did we learn that not everyone has such long legs. We called the others 'monsters' back then, thinking: "What a weird existence must it be; how could they reach the tree tops or climb steep hills?"

When I turned 20 and felt like most at that age that I knew & had seen it all, I decided I wanted to explore the world that allegedly was full of weird monsters, including ones with short legs.

Then I started to learn that in those other parts, I was the monster. Even though the short-legged weirdos could use my help with many tasks otherwise performed with uncomfortable or expensive tools, they all ran away.

Due to that ostracization, what used to be my benefits became my shame, and slowly, every day, I became a little bit more like the monster I appeared as. 

Finally, only an unreachable moon accompanied my heroic journey of leisure.

Date in the wrong city

Do you ever run out of your house in a frenzy, almost late, after checking you've got everything you need, only to remember you forgot something when you're just too far not to want to go back again?

I don't date much, but I'm trying to see what more than art (& family) I can appreciate in life. Anyway, I had a date, we were supposed to meet at the train station, and when I was halfway there, I realized I had forgotten my shoes and socks.

When I arrived at the train station, I felt a million eyes on my feet (there were probably none, if not only a few.) I was on time, and when I looked at my phone, I noticed a message from my date; they had arrived and asked where to go.

In this case, straight ahead of oneself, does, in fact, take one very far, or at least far enough to where they needed to go. 

So, their question confused me. They told me we should meet at the cafe, but when I arrived it was closed, they confusedly told me it really wasn't.

As my anxiety was peaking higher than ever thought possible, I felt the world slipping, looked around for cameras to make sure I wasn't in a prank show of some kind, then got a message from my date; they had mistyped the name of Den Bosch and had accidentally gone to Den Haag instead.

So all by myself, I walked through Den Bosch on now cold feet, carrying me to the beautiful places I had seen a thousand times, thinking: maybe there is no need to explore any further than this.

Ruined food

If you've ever wanted to do anything exemplary, you'll know that that journey is filled primarily with failures. 

Those who end up with anything worthwhile may start seeing them as successes; you overcame them after all, didn't you? That's a success, right? 

Maybe so, but that's a little optimistic for my blood. So, I'll call it what you did at the time -- failures. 

There's a discomfort I get from that struggle that I hate to feel as much, if not more, than how much I love the satisfaction of success. 

And here's an observation: that struggle isn't very similar to hunger, except that they're both undesirable yet inevitable. And cooking food, which you may have to do if you get hungry enough, is one of those things you can fail at. 

Let's say you decide to experiment with your food. But while cooking, that oh-so-common uncomfortable feeling starts spreading through your veins while a worry pops up in your brain: "What if I ruin this food?"

Your hungry state of mind isn't helping to calm you down, and after cooking, you prepare yourself to eat -- it smells alright, but for some reason, you fear the worst.

You take a bite, and it's terrible. You would have almost preferably gone hungry for the rest of your life than taste that, but here you are.

While holding back the tears, you walk to your window, where you hungrily stare at the buildings. Even in all their beauty, they can't solve your hunger-filled disappointment, but you have to work your way through it, at least that is, if you still want to continue learning.

Anxious dissociation

We all know that the universe, and life in general, is bizarre. There's no way to talk about it without repeating what billions of others have thought and without sounding pretentious.

And worst of all, it doesn't seem like anything meaningful is ever actually discussed when talking about it. So I won't bother.

Anyway, so one day, while I was walking through Den Bosch, or perhaps while I was sitting at home, it doesn't matter. I was lost in thought, thinking very deeply about something simple.

But I could not wrap my mind around it, which scared me. How could something so straightforward be incomprehensible?

I felt like if even something like that didn't make sense anymore, how could anything else? I'm not sure how long I felt like this, but at some point, I continued walking through the beautiful city while sitting in my apartment, accepting that the most bizarre thing seems true -- it's all just real & normal.

State stole my bike

Unlike most Dutch people, who own 5-10 (one for each workday, perhaps a weekend, a vacation, or a birthday one, with some local regions having their own, admittedly weird habits too), I only owned one bike.

So here's the story of how I neglected her and eventually, due to that neglect, lost her at the hands of the state. 

However, this is not a story about how I miss her or advice for you on what not to do. Those feelings and that strategy are my secrets to keep.

Complaining is life's greatest pleasure, and complaining about an authority, like the state, is beautiful, but I'm not complaining here. Yes, they stole my bike, but I'm happy that they take care of the abused in this country.

That might not be true -- maybe walking is life's greatest pleasure, though I feel it's not as universally appreciated. However, what do I know? 

Anyway, I neglected her, mostly because I love walking. I'd walk everywhere instead of using her while she slowly rotted away over time due to the weather.

(Also, her tire was flat, and I didn't want to be bothered to fix it.)

Then, one day, the yellow mark of death appeared on her. Something I didn't understand and had to research, which took me a while to do, and even then, I didn't bother taking action.

I don't remember when it happened, but at some point, when I walked past where she used to be, I noticed she was gone. Only then did I fully realize the implications of the yellow mark; I would never see her again.

Caffeine High

There you are, after your fifth black coffee, feeling high & well, seriously on edge, exactly how you like it, looking at another cup standing on the coffee table in your room.

You're unsure what you're thinking about when you snap out of it and realize you don't own a coffee table. You like to live that way, lean, nothing that isn't strictly necessary.

Afraid that this is it -- you're finally losing your mind, you look outside the window and notice another room, which is mostly empty, with only a lamp, a carpet, and, of course, another window.

Nice, minimal, exactly how you like it, which calms you down enough to look back. When you do, you notice a door, which you decide to inch towards to try and reach the tableless room, but the door doesn't feel like opening right now. 

So with nothing else to do, you continue losing your mind, going in loops in your mind, again and again about how you're losing it, until finally:

You stand up from the couch in a tableless room, exclaiming: 'And that's why I stopped drinking coffee,' which you did after just starting again four weeks ago.

It seems like the whole thing was just in your mind; perhaps it was a daydream, whatever that means. For some reason, you're scared that if you had continued drinking too much coffee, you'd lose your mind, which is ridiculous, primarily because -- I think you already have.

Endless hair

If you're struggling with your hair, I've got some tips. I'm qualified because I've got the longest and most beautiful hair in my city (being selectively blind.)

My hair is actually endlessly long. 

It started because whenever I came back from the barber, I wasn't happier with how I looked, so I stopped having it get cut --  and it grew.

I wasn't concerned with how long it got until one weekend someone pulled on the end of my hair, and when I turned around, I couldn't see them, so I spent the rest of the weekend trying to find the person, but I could not, because I could not find the end of my hair, as it doesn't exist. 

I guess that upset me enough that I forgot all about the tips I had. But here's one that is helpful: don't let it get this far.

Eggs

When's the last time you've thought about breathing, or how to walk, or any of the hundreds of household items you've seen every day since basically the start of your life?

Well, I hadn't thought about eggs -- chicken eggs specifically, in a while. It fluctuates, though generally, eggs are, and have been, a big part of my diet. They're pretty good. 

One day, during easter, while talking with my almost 2-year-old nephew, he pointed at an egg and accurately said: 'egg,' which I agreed to -- then I understood that I had to make art about eggs. 

Because even though their competition is fierce, eggs have some of the best marketability out there in terms of appearance.

Helping start a car

Imagine all the people you walk past you don't hear because of your headphones, a task only challenging for those who don't use them (much), but please try.

For me, they're not a tool for isolation, however, it's a nice additional perk. Still, when I hear a stranger asking for attention, I anxiously give it to them.

This one time, a guy in his 'parked' car at the side of a street in Den Bosch told me that because the car hadn't moved in months, the battery died, and he asked me if I could help push start it.

I didn't have anything better to do, so skeptically, I helped him. Together, we revived the car, and while honking, he drove away.

Another person that I'll likely never come across, and even if I did, I wouldn't hear or see.

Few clouds

I get tired of making art about my sisters, but when making art about the sky, it's too easy to inject them into whatever other narrative I'm working on.

Sometimes, I merely want to look at the sky and appreciate its beauty -- so there's no meaning here. If you're looking for it, please move on. 

A sky full of clouds is often as impressive as an empty one: not very. 

Preferably, around 20% of the sky is clouded, but the perspective may be captivating as long as 20% of the blue sky is noticeable.

And while looking at such a sky, I feel at ease with life. I'm not sure whether I'm still anxious. Probably, but it's not the type of thing I remember. I am sure I  feel like I'm floating along the clouds, and I'm inconsequentially small and irrelevant, which I actually am, of course, but now that realization comforts me.

Waiting for the call

I feel anxious about whether I'm actually anxious or not, and I'm not even sure about the authenticity of that feeling.

I've always experienced anxiety, but the feeling used to be predictable. Recently (it's already been more than half a year), it has become part of my regular experience -- making art about being hungry might have me feeling off.

It took me a while to talk to my GP. It took us longer to figure out it probably wasn't physical, which led to me getting referred to a mental health clinic, which is taking even longer to call back.

They told me I'd be on the waiting list for 72 days. When I had waited those days, and they hadn't called me, I assumed they didn't count weekends and vacations. When even accounting for that, the days had passed without a call; I became anxious about whether I did something wrong. 

I know I should call them to confirm, but I'm sure I've become very fond of waiting for the call. Maybe I am actually anxious, but it's just another hobby to fill my empty time.

On being Zen

Depending on who reads this, you may not know I'm Zen. I've always been and will be for the rest of (my) time. That isn't a comment on my state of mind, which often is either quite Zen or the exact opposite; 

It's part of the first names my parents gave me.

I'm not sure if I've ever hated it, but I've grown to like it a lot. Who doesn't like being unique in something? Even though it's not something I've had to put any effort into, it still feels good.

It's not always clear to me what it means to be Zen. Actually, it's only rare that it's not, but even then, I'm always sure I'm more authentically Zen than most gurus who might claim they are. 

Not that it matters.

Art my parents hate

The title of this art piece is a lie, but it's more accurate than most real stories you love, which are either filled with falsities or cherry-picked -- this is what you want.

So, the title of this art piece is the truth.

My mom (in friendly words) keeps telling me about how she doesn't like my recent poems. What she means, and where she is correct, is that they are not great at communicating my ideas. 

It's the same reason I struggle to read poetry; it just doesn't resonate. But still, I'll keep creating poems that I likely wouldn't enjoy had I not made them.

Until I find a way to change them, and by then, she'll have forgotten that she was a big reason behind the change. 

My dad doesn't even hate my poems; he doesn't care for them at all. They mean nothing to him.

Success wouldn't mean making my mom, who studied the English language at some university, like my poems. I'm sure I could make her care. 

No, real success means making even my father, who surely influenced my indifference to language, care.

Hustling hobo's courage

Den Bosch doesn't have much of a homelessness problem. They exist, and some are consistently on specific corners to beg, but most of those aren't even homeless.

I love walking, and the city is a beautiful place to explore (though the same buildings can only amaze so many times.) Although it's a little bit away, many of my walks include it.

This one guy has asked me many times to either give him some money or to help him buy weed from a coffeeshop (though I'm not (anymore), probably because I look like the type of guy to smoke.)

Another time, I saw two of them stand on top of one another to climb over the (open) fence of the Sint-jan. They asked if I could lend them a hand; I couldn't've acted more ignorant of the situation. 

But whatever you think of them, and I don't personally care to demean or belittle them, their courage to interact with people who want little to do with them is commendable. 

However much they are outcasts, in many ways, they're more socially inclined than at least me and probably numerous others.

Slave to impulses

Whenever I've got any semblance of a good idea, which often is just something to complain about, I've got a tendency to express it multiple times in a short period. 

So, this is just another piece complaining about being hungry but then disguised by something more abstract to not bore you or me with a stale story (and to appear more intelligent).

Impulses drive everything you've ever done and ever will do. Which I don't think is much of a problem most of the time, but some of those impulses will be for things you know you shouldn't do. 

You may give in, suffering the consequences you knew would exist, then later complain about those, or you can, and will often, not.

Maybe you'll try very hard never to submit, you'll get none of the drawbacks and none of the dopamine, and now you're bored; is this even a life worth living?

And once again, you'll go back to a hedonistic lifestyle that'll at least keep you entertained while you're capable of it: this is happiness.

Seeing yourself waiting

The topic of this art piece is a boring situation. Few people get excited by having to wait. I certainly don't care much for it, but I'll try to convince you why you should.

If you're waiting and look around, you will notice something interesting, at least if you allow yourself to be entertained by the otherwise unremarkable.

This piece specifically was about waiting for the train. Nowadays, I don't take the train often, but I recently wanted to go to the office, so I had to. 

Next to the countless people, which already makes paid attention worth it (nothing else to spend it on either), I also noticed an old lady carrying four bikes, the bluest tomatoes, rain without clouds, a dog walking his human, and a flying train, all just within the one trip.

But the most intriguing thing I've ever noticed was myself on a different platform. As you may expect, I was waiting, and to my concern, I looked bored, like I wished I would be anywhere else (but I couldn't). Seeing myself in that state made me incredibly disappointed.

Hunger

If you analyze my life (and are a little weird), it could appear like, since the age of 14, I keep gaining weight, just so that I can lose it again, so that I can gain it again, on repeat. 

Since moving out, I had to relearn how to feed myself, including, for some reason, that you can't keep food in the fridge for that long and that I can't handle having snacks around as I'll never stop eating them.

Recently, I've been trying to lose weight again. Even when I eat whatever I want, I'm always hungry, so it's rough.

Unrelated, I've also been trying to get better at selling my art, which is difficult because when I'm free from my job, I don't want to spend it on another instead of working on my art. 

In that sense, ironically, because I'm not "hungry" enough, it's hard to get better at selling my art, though this is as much a privilege.

But some days, I daydream about my hunger for food overtaking my ability to reason so that I'll start eating my art. I'm sure that'll make it sell.

Locked out

Then I arrived "home" without even a keyfob in my possession. They took that away from me, too. I should've just rang the doorbell of one of my neighbors.

It took about an hour for another resident to walk by, and from the moment I noticed them, I somehow sensed they would be using a different door. Instead of following them, I decided I'd rather wait some more.

Only thirty minutes later, someone from the correct door arrived. I mustered up the courage to follow them, and when they were about to open the door, their keyfob didn't work -- the door, not my keyfob, was broken this whole time. 

We exchanged some quick words, but I couldn't handle the internal awkwardness and decided to move to the other door.

Nobody else would arrive for two hours, so I finally rang a doorbell. When I pulled the front door, I noticed that someone had put a screw in the door so anyone could open it. Who knows for how long this had been the case?

Of course, I learned a lot from the situation -- mainly that I should buy a ladder so I could climb onto the first floor when necessary.

The keymaker

The apartment building I moved to has an electronic lock that needs a keyfob to open. I only received one, a fact that irritated me the day I moved in, but the rent is cheap, so it's hard to complain.

One day, when I came home from a walk, the front door didn't open anymore, so I went to another that didn't open either. 

I've never felt so vulnerable. Of course, I assumed that my keyfob was the problem, and anxiously I called a keymaker to replace it, who told me I had to come over, which I did.

Surrounded by many large keys, the keymaker skeptically asked me what was in front of my apartment building. I assumed to figure out whether I lived there, and nervously, I thought and, after a minute, crying, I said I didn't know.

The keymaker, now confused, asked me why I was crying, to which I again responded I didn't know before the keymaker told me they ordered my key and I could go. So humiliated, I walked back home to a locked apartment complex.

Happily walking my life away

There are many ways you can travel to most locations you need to go, and there's only one almost universal: walking.

Even though that's an intriguing idea, it doesn't influence my love for the transportation method much.

Frankly, I struggle to understand why I love it so much -- I'm Dutch, so maybe it's because biking is just too prevalent, making walking another way to feel unique. 

My parents think I'm crazy. They also think it's weird that I don't repair my bike or get a driver's license. But I'm content with walking -- toward public transit if necessary.

Walking seems to suit me. I don't move or go outside enough, or rather, I wouldn't if it weren't for walking. There's also so much time in our lives, and a lot of it we waste on dopamine machines; walking is an alright alternative to that.

And finally (and this is a secret), it's how I find all the ideas for my art. I'm not sure who leaves them there, but throughout the city (and surrounding area), someone ditches all these great, free ideas I pick up, which nobody else ever seems to. Maybe they're all too busy to look around.

Finding meaning in anything

Only once was I ever depressed. 

My parents never recruited me into a religion, nor did they push me away absolutely, though probably more than they realize.

They convinced me that there weren't any spiritual omniscient beings and that the idea was ridiculous, the latter coming naturally; if you're sure it's nonsense, the concept quickly becomes laughable. 

It's hard not to look down on people who you ""know"" believe in silly creatures, and I wasn't above it either. Even now, while I cognitively recognize we can't know, and much of the conclusion is almost evolutionarily determined, I'm as jealous as I feel superior.

In the most respectable way I can. Because everyone, presumably, feels the same way (though they are wrong as I am right.)

But then, one day, I realized that if not for the spiritual, except for being happy, there's no reason to exist, which took me by surprise for probably less than a minute, when I understood it meant I got to pick whatever I wanted, optimally one day forgetting it ever was a choice.

I suppose the religious people might've figured this out quicker than me. 

And now, way too much like my parents, my art, words, family, and walks are my meaning.

Blind Guy's World

In early February, I walked into the Citadel in Den Bosch to look at one of the great perspectives of the city. I sat down on a bench, listening to Echoes. 

A little later, a guy I had noticed a minute before found the bench. I assumed he also wanted to enjoy the view.

""I don't care much about the concrete,"" he told me. He mustn't have noticed my headphones, or maybe he didn't care, and because I didn't want to make it awkward and was severely confused, I responded, which I wouldn't typically: ""What do you enjoy?""

I was mostly confused because the perspective we were looking at contained no concrete.

And without thinking, he explained: ""Solid shapes, depth, dots. Colors do nothing for me."" Part of this seems reasonable, but sometimes, when someone gives me a subjective opinion I don't share, I can't believe them. 

Then, I knew it was time to leave. I hadn't been able to enjoy the perspective much since noticing the guy anyway, and now he wasn't making much sense.

I told him he had some good taste and that I had to go. Only when I had left the Citadel and walked next to the water I noticed he was blind -- because while flying away from the bench, he crashed into the bridge.

So, in his honor, I recreated that guy's world, or at least what I could understand from his confusing opinions.

Stairs At Night

Differences in light and visibility change scenes much, and not at all. It's easy to not care about impressive sights and, at the same time, to feel very passionate, maybe even emotional, about an ordinary backyard. 

More so than any changes in the atmosphere, it's a different mindset that can suddenly transform an uninteresting building into a masterpiece.

Often, a change in the scene is just an excuse to look around, and when you do that, looking for great perspectives, they, however impossibly slowly moving, even creep up on you.

And there's no way to preserve it; a picture will never capture the same feelings, as they're part of the mindset, and any description or imitation will be a weak copy (at best). All you can do is enjoy it and maybe be inspired, knowing the great impression this made on you. 

Or, perhaps I'm just bad at what I do -- here are the stairs of the Library in the heart of Den Bosch, shining bright in the dark.

Looking All Ways With My Headphones On

When I'm about to walk homeward from my weekly visit, my mom, after I've just declined her offer to drive me back, says:  ""Be careful, especially with those headphones on.""

If I wanted to die, I wouldn't do it by walking off into traffic, so, of course, I'll make sure to be careful -- looking every way imaginable multiple times. 

Honestly, and please don't tell her this, it's not the headphones that are dangerous; I can hear the cars. It's the hair that, more than my glasses, makes me practically blind.

Sometimes, I make a weird turn, and all roads start going in different directions and dimensions. I still look all ways, but it's quiet, like cars never existed, for the whole 50-minute walk.

Then, the insanity inflicted on me is more dangerous than traffic could ever be. Luckily, when I'm back home, working on my art, I'll forget all about it, and my parents, and the need to look all ways.

Staring At My Incomplete Work

If you ever caught me like this, which you never could, it would be easy to assume that despair is tormenting me.

Yes, I might be frustrated, but somehow, this is the most satisfying and worthwhile activity to pursue.

Often, I complain about not having enough time (to work on my art). And this takes many minutes, multiple times a day when I would otherwise be busy painting. 

While torture wouldn't be able to uncover what I'm thinking while sitting there, I've never wasted a minute staring at my incomplete work.

Then, when a piece is complete, I never look at it with the same passion. I still love (and hate) it, but there's so much less to see when you've already made all the decisions.

Most Vivid Recent Memories Are dreams

Sometimes, while reflecting on my life, it's hard to determine how long certain aspects have been present. 

An example is that (maybe recently), throughout my day, I have some memory of an odd situation that only ever happened in my head.

Yet such a memory often still feels as vivid as the memories about my recent visit to my parents, when I went to a poetry night or a walk I went on.

I don't know if I'm ever confused whether a memory is real or not -- I don't think I am, but if they feel as vivid, how could I know? 

And should I even care? 

A beggar I once knew spent half his life dreaming he was a king; the guy was just a king waking up to be a beggar.

Desiring Something You Don't Want

It's so easy, maybe too easy, to talk when I'm not thinking about it; words, sentences, and stories quickly and without restraint come out of me.

Sometimes, I have to think about what to say. Then, I understand how the Buddhist monks do it -- because, it feels like, not even a letter or number comes to mind.

There seems to be nothing more difficult in this world than having to think about conversation.

I can only assume that people desire to be among others much, seeing all the boring high-effort things they don't care about, they do to achieve it. 

Perhaps it's easier for them. Or maybe they don't know how to entertain themselves.

Occasionally, I also have a desire for social attention. When that happens, I might do something tiresome I don't care about, talking to strangers.

And when that's easy, it can be fun, but it quickly reminds me of why I spend so much time alone. It's not that the people are inadequate -- maybe they are, but it's hard to get to know them. 

No, I'm alone because it costs so much effort to do a tedious task for something I probably wouldn't want anyway.

Most Details Are Redundant

Most details in art (and life) are redundant. I probably only believe this because my work isn't that exact.

Of course, my art does contain detail -- it's impossible not to have detail if you're portraying anything, especially if you've been doing it for a while. 

But when I think about 'detailed' work, I think about purposefully capturing small elements relating to the idea of the art piece. 

Instead, I focus only on what makes the idea engaging. And then, I use details solely to make those few elements more intriguing.

However, someone might call my art redundantly detailed, and I might prefer a needlessly detailed piece over one with few. 

So it's all just arbitrary gatekeeping in the end.

Need To Create Something Good

Inside of everyone, presumably, is an urge to do something meaningful.

But instead, because I don't believe in meaning, I'm trying to make good art -- which, somehow, I've convinced myself is purpose.

And I satisfy this urge probably any time I finish a piece, or at least in the following days while staring at it.

If I stare at it long enough, some hate also arises, which drives me to make more art. 

That hatred never goes too deep: I appreciate what I learned and being able to see the ideas I sat on for, most likely, a couple of weeks.

I keep bouncing between loving and hating a piece until it has been on my wall long enough. Then it feels like it always was. Like it being there is a fact of the universe. 

At that point, I lose the ability to love or hate it.

Hopefully, I never make anything too good. I wouldn't know what to do with myself. 

There's no reason to repeat yourself over and over if what you've already done is as good as it gets -- which would leave nothing else to do.

Even Sober Months Disappear

I'm sure that humans invented language in part so that they could better complain about time going fast. 

So here's the obvious: somehow, it feels like, at least when looking back, every couple of seconds, a day passes. 

Habits are something my brain likes. When I was using drugs, this also quickly became a habit. While it was, time evaporated, and I spent much of it on useless dopamine machines.

In hopes of slowing down time, in part by spending it better, I decided to get sober. 

And now, even sober, spending my time better, months are disappearing.

Another Bird Over Water

Don't remember or care where, but I noticed a bird flying over water. What a free creature. Do you think it understands the depths it's flying over with such ease? Few do. 

It reminded me of another time (the 16th of September, 2022) when I saw a similar bird flying over similar water, and I decided to draw it (#386).

So now, because of that loser, I have to feel unoriginal about an idea I feel strongly about. But the joke's on that guy, I never was original. Only the insane ever do anything new, and I haven't lost it yet.

And that's the key: accepting there are probably four billion other people who have had the exact idea you feel so passionate about. 

If you're lucky, you'll convince some that you thought it better.

Another Lonely New Year

It's almost 12. I look outside and see groups of people coming from their apartments. Out of nowhere, I feel lonely. 

The feeling wasn't wrong; I had been alone all day, if not all week, but I usually don't feel like it.

Seeing those people reminded me of the parties I had been to in the past -- which I mostly hated going to. I didn't go to many.

People who like parties are faking it. At least, I can't understand it, other than it being an excuse for getting high (which, when I still got high, I had no trouble doing on my own).

I think I feel lonely, not because I'm not around people, but because I don't want to be.

Haven't Seen The Sun In A While

It's not like I haven't been trying. (Almost) every day, she knocks on my windows, but when I go outside, all I can find are clouds and their tears.

Maybe she's upset. In the summer, she worked long hours, seven days a week, but couldn't find me -- I was inside then. 

She gets too hot sometimes.

And also, my brain made me feel like I was about to explode. I decided that if an explosion were my fate, I'd rather have it be inside.

But now I ache for her warmth. Looking at trees, grassfields, and bodies of water without her around somehow always feels less beautiful. 

When the summer is back, I'll miss the gloomy days of the winter. Yet again, what makes me happy is complaining about what I can't have.

Until the sun returns, I'll hallucinate lush trees, free-flowing water, and green grass fields.

High Water In Den Bosch

I don't know much about many things (like most people). How and why the water inside of Den Bosch goes up or down is one of those things.

Recently, it rained a lot, maybe that's why? But it often rains, and the water rarely consumes the city.

Anyway, so there was high water in Den Bosch, which I walk through frequently, and it was a pleasant sight. 

Some benches I sometimes sit on are now inaccessible because of it. And boats that typically relax on the water are now swallowed up by it.

Sometimes I think about if the rising sea level will inevitably result in much worse consequences for Den Bosch (I guess the Netherlands in general, but who cares about places you never or rarely visit).

There's nothing I can do to help that. So I won't worry about it either. Hopefully, if the water does end up swallowing us all, it'll at least be beautiful.

Finally alone

Being alone is fantastic. Or so I tell myself. 

I'm conflicted, as I refuse to engage in behavior that would result in me not being alone (because I don't want to do those things), but sometimes I get the urge to connect to others.

Even then, it's challenging to be completely alone. In my apartment, where I live alone, my many neighbors, make noise sometimes . And otherwise, the cars driving by would.

If all of those are somehow quiet, there's also still this device that puts sounds in my ears, which I could remove, but what's the point?

One of the ways to fully be alone is to go for a walk in a more secluded area. This painting is inspired by walking past the Bosche Broek. It was cold and dark, and within, I saw a tiny figure who seemed all alone. I was, and still am, jealous.

Are They Looking At You?

It's not paranoia, but whenever I'm out for a walk, it always feels like everyone is looking at me. 

I'm not the most normal-looking person, but I'm sure I'm not that special either. 

Then I start debating myself about whether what I'm feeling is normal. I can't be the only one who feels like people are watching, but that reality wouldn't be acceptable. 

Because it makes me feel so uncomfortable, maybe anxious, even, and if this is normal, well, it couldn't be helped. If it's not, there might be something I can do to prevent it.

The Bowl

A while before I work on the ideas I develop into art pieces, I send them to myself using WhatsApp. I can only presume that this idea came while making breakfast using a bowl.

I suppose I must've thought about how practical, and maybe even beautiful, the bowl was. And about how universal the tool is to humans and has been for centuries. 

Or, more likely, I was just in the mood for coming up with ideas. 

Sometimes, but rarely, I've got great ideas that, on merit alone, make for great art. If I only were to develop those great ideas, I wouldn't make much art at all. 

And because I don't know any rules about making art, I need to make a lot of (less outstanding) art to improve. 

So, most of the time, I work on ideas that are merely an excuse to work on more art. But don't get it twisted. These ideas are way more important than the great ones: 

The great ideas make a fantastic piece by themselves. But to develop anything good with worse ideas requires putting a special kind of thought into it, which, with time, will make all my art better.

Fruit

The family of my half-sister, Americans, had never eaten any vegetables or fruit in their lives. Instead, they opted for poor, sugary imitations.

To one of my ancestors, and you don't have to go that far back, our everyday fruit might seem like imitations of theirs. 

But our selectively bred, more extensive, more consistent, more colorful, and less seedy fruit is a sign of the inventiveness of humans and how we can use nature for our benefit.

Although genius, the processed food my sister's family ate is just not as great, as they rely much less on enhancing natural flavors and more on optimizing addictive food. 

That's just personal taste, though. What is objective is that fruit is more beautiful and fun to portray. 

Nails Keep Growing

For a human, many annoying things are certain. Among those, the obvious are breathing, hunger, thirst, tiredness, labor, rent, taxes, buying anything, and death.

Anyone who does not experience all of those might be inside of a human body, but they're not human. In the same way, a church without God is only a building, and a forest without trees is simply a bare plane.

But the worst of the unavoidables is the growing of my nails.

Much too often, there comes a point where I realize they've grown much too long, a point where I have to get a nail cutter and always end up cutting them way too far.

Fighting Sleep (Like Valentijn)

My baby nephew Valentijn, like everyone else, gets tired sometimes. And when he does, his grandparents will prepare him for bed. 

When they do, he's always fighting them, which is ridiculous. His tiredness is unmistakable, and when he finally gets put to bed, he falls asleep instantly.

More ridiculous than that are the adults who, when they get tired, know they should get sleep but stay awake.

I'm a very responsible adult, so for me, this isn't an issue at all. I've got a job, meaning I need to wake up in time, so I'll get in bed early enough to get some good sleep.

But when I don't have my job the next day, I act just like my nephew, but unlike him, there's nobody to put me to bed except myself, so I stay awake, wasting so much of my precious free time for no good reason.

Sober In A Smoke Filled Room

An ex-colleague came to the Netherlands for a concert, and we met for a few hours. He's a nice guy, except for his nasty habit of always having an excuse for not making art, which drives me crazy. 

Even though it frustrates me, I do get it. To get anything done, I have to be slightly obsessed. Similarly, for me, it's impossible to use drugs only once in a while.

My friend wanted to smoke weed, which you can do at a coffeeshop in the Netherlands. Weed used to be a daily habit of mine, which I had wanted to quit probably as soon as it became one. 

So I was reluctant as I hadn't been to a coffeeshop since getting sober. And I knew I wasn't ready to smoke without likely quickly falling back into a habit. 

But I believed I was ready not to get tempted (and I begged my friend to give me nothing if I asked). Honestly, due to recent anxiety, even thinking of smoking makes me nervous, so it wasn't difficult.

That's what this painting captures: anxiously, though unrelated to the setting, sitting in a coffeeshop for the first time since becoming sober, next to my friend who's probably explaining for the fifth time why he can't just paint.

Hospital At Night

On the outskirts of Den Bosch, close to where I live, there's a great hospital called the 'Jeroen Bosch Hospital' named after the famous painter. It's hard to miss the building when I go for a stroll.

I have no emotional attachment to the hospital as I'm just not that kind of person, but I've got some memories there;

It's the place where I first saw my nephew, Valentijn, after he was just born, the place where I delivered my excrement twice, and where they stole my blood once.

And where, while doing psychedelic truffles with my friend, we got stranded on a bench because my friend was losing his mind. His father called an ambulance (even though we could've just walked). While waiting, I stared at the hospital, trying to stay sane.

I could lie and tell you this painting is about my memories. But it's not.

The extraordinary hospital, when it gets dark, shines beautifully. And that's the only reason why I decided to paint it.

If it reminds me of anything, it's all the sick people in there, some of them barely surviving or coming to the end of their lives as you're reading this. 

You might be able to make a parallel to some of Jeroen Bosch his paintings if you'd like, but instead, I let the building itself entertain me.

Mushrooms

Mushrooms are, and have always been, something I enjoy finding whenever I do. They seemingly seem to hide for the better part of the year until someday you go outside, and for some reason, anywhere you look, there they are.

They're frankly fascinating organisms. I don't know much about them and don't care to learn more. But from the little I understand, and simply their appearances, they stand out from other organisms, seemingly all being weird alien creatures.

However, if you think hard enough, anything becomes bizarre because it is. So that doesn't mean much anyway.

Stressful dreams

Anxiety is my only friend that follows me anywhere I go. Whenever I have to do something social that I haven't done before (or just not in a while), like the heroic task of going to an unfamiliar store or calling someone I don't know, there's this familiar but forever unpleasant, anxious feeling.

But recently, for seemingly no reason, this anxious feeling is constantly present. Any stress is more stressful, and any otherwise relaxing moments, I'm still on edge, feeling like I forgot something crucial.

When it started, every time I went to bed, I hoped I would wake up the next day feeling normal again.

However, in recent nights, there hasn't been much hope, just fighting my brain to get to sleep. When I finally win the debate and doze off, the anxiety follows me, even in my dreams.

Clocks

During the workweek, I work a couple of very long days so that my weekends last longer. Any hour I spend making art, I need to waste at least 30 minutes, so having a lengthier weekend makes it easier to get art done. 

Now, for some reason, when I finally make it to the end of the week, I mostly spend it doing nothing satisfying: playing games or watching videos. Don't get me wrong, I get some art done, but I could accomplish much more.

I might as well merely sit in a chair, looking at a wall of clocks, where anytime I look at a different one, hours zoom by, wasted doing nothing but thinking: ""I should stop wasting my time."" Knowing I won't.

Cold White Guy

I'm a Dutch guy, so Dutch that if they analyzed my heritage, they would have to invent new terminology to define my Dutchness. If you didn't know, we Dutch people are generally very white, which is also true for me.

Walking is a big part of my life. I couldn't live like this at all in a lot of other (flawed) cities, but here in the great Den Bosch, I generally get by.

It's been pretty cold, not historically, but relative to the rest of the year. I maybe prefer the cold, as now, I never really get hot and sweaty during my walks, but it does mean I get cold.

Recently, during a walk, I looked down at my hands and noticed they were very pink, obviously from the cold, which I've witnessed maybe a couple hundred times in my lifetime. 

And I never really thought much about it. So I must've been desperate for art ideas, seeing as I wrote this one down. But it's an interesting idea and had me wondering what similar experiences others have that I won't ever share.

Only Light In Window

This time of year is so dark here. I thought the shortest day of the year was a month before it was. I made the same mistake last year. And again, when I realized we would have another month of ever shorter days, it made me incredibly sad.

Regardless, something I now realize I've missed in the summer months is that in the dark world, the lightest parts are the insides of houses.

I might have missed this because I don't go outside that much when it's late, so I don't see the darkness in the summer, or because during the summer, people have a lot of time to realize it's getting dark, so they often close their blinds, and somehow they forget to do it when it's dark earlier.

The result is that now, during my walks, I get to look around and see all the fascinating rooms inside all the buildings. 

Bird On Ledge

I don't remember when, but at some point, during some walk, I must've seen some birds on a ledge and thought: 'Now that's a sight I must replicate in my art.'

My sister swears that it was during a walk we went on together. To make her feel special, I told her it was true. Frankly, I don't remember, and often, I need to be alone to get any ideas, so I doubt it.

It's not like my ideas are that deep. They're mainly just ordinary things. But when I put myself in a specific mindset, these typical things make me feel something, so I write them down to work on later. 

And when I start working on those ideas, I regularly forget why I wanted to draw them and how it made me feel. That's fine because I wrote it down, which means that it must be an idea worth developing.

This piece is about a bird on a ledge, looking over a larger landscape. I would love to join the bird and experience the sight.

Stoned Party

I used to get stoned a lot. Nowadays, I'm sober, but I doubt I'm completely over it yet. Regardless, I don't go to many parties, and the ones I did go to, naturally, I would get stoned at. 

Parties are just an excuse for people to get high on whatever substances,  feeling like they're not addicted because they only do so when at parties.

Part of the reason I don't see a reason to go to parties is that I'm not sure if there's any benefit to getting high with people around you over getting high alone.

So, I would choose to get high on my own. I can only imagine that other people get something from the social interactions that I don't. Or maybe it exclusively is that they don't want to feel bad about their drug habits.

But this painting isn't about any of that at all. It's just that Moai reminded me of being at some of those parties. Man, I love Moai. They convey such emotion I can look at them for ages.

The Addict

Being addicted is nice. I like being addicted. It makes life easier. Instead of constantly working to do something meaningful, I can relax and waste my time.

At the end of the day or week, I think about where all my time went. I'll realize that I wasted so much time again and think: "I should spend less time doing these useless things. So I can focus on what makes me happy".

Then, the next time I can spend my time better, I'll choose not to because I prefer not to work to do something significant. No, what makes me happy is to waste my time.

The GP

People who accurately understand how they're feeling are geniuses. I'm never sure how I feel, and often, I'm sure I don't know, which drives me crazy. 

One day, I woke up, and I just felt weird. Generally, I hate dealing with people and being in situations that I'm not familiar with, so it took me two weeks to call and go to the GP. 

Unfortunately, at first, I assumed that it was some stomach problem, maybe that I had poisoned myself, as I still relatively recently went to live on my own and, admittedly, some of my health habits were awful.

For two and a half months, the GP and I explored and did tests to understand what it could be. We concluded that it might be something mental.

And I appreciate the GP. When talking to her, I very much felt listened to, although sometimes I'm not sure if she fully got what I said. 

But now, and this will probably take years to understand, I don't know whether to be thankful for her help or upset about how long it took to come to such an obvious conclusion.

End Of The City

"Everything ends, though hard to identify, even cities do, but it's easy to tell that one of my favorite walking spots is on the edge. 

It's not the most peaceful spot in the surrounding area, but probably the quietest while still, maybe technically so, inside of the city. 

There's this great perspective on the beautiful city of Den Bosch, with just before it a highway bringing many people anywhere they need to go. At the same time, if you turn your head, you see this endless sight of birds and green. Which likely isn't inside the city anymore. Who cares about borders anyway? To me, it's the most meaningful part of the city.

And then I get bored and go to the ugly but functioning neighborhood not too far away, happy to be back and to see the many ugly and angry faces."

Balloon In Tree

"Another cold day. It's not even that late, and the sun is gone already. The sun hides away before the day even starts this time of year. It's pretty peaceful out here. 

It was a Thursday, so I ate with my parents. My baby nephew, who they care for, was as loud as always. I taught him some guitar today, but I don't think he gets it yet. 

Finding what to say to my parents when I'm there is always hard. Seeing them makes me happy anyway, but sometimes it's easier to talk about nothing to strangers than to my parents. Maybe it's because I don't want to waste time on stupid topics with my parents, which doesn't leave much else.

Walking is great. Wherever I go, as long as it's reasonable, I walk. My bike also doesn't work, and public transport isn't for me, so I don't have a choice but to love it either.

So, with everything on my mind, I walked back home in the peaceful, cold, sunless world. I was almost home and pretty tired when I decided to look up, where I noticed two balloons in a tree. 

Can you imagine being one of those balloons? All you want to do is go up and travel great distances, but there you are, stuck, until maybe the wind helps you out, too far up for anyone else to reasonably get you out."

Coach's Garbage Containers

"When I quit playing basketball, I had played half my life. One afternoon, I realized that the sport cost more effort than I could care to put in. And as I do when I conclude somewhere or with something, I left the game behind: I haven't touched a basketball since or talked to anyone I used to play with. 

A couple of coaches trained me over the years, and honestly, I mostly don't remember them or what they taught me. Whatever it was, it certainly isn't that helpful anymore. 

But, probably my favorite coach, maybe the best, is whose garbage containers this painting is about.

It's pretty interesting, though also very obvious and predictable, how you can meet people you've known in the past in unexpected ways. I hadn't thought about him in years and certainly didn't expect to meet him again.

So apparently, my old coach is an artist who painted these garbage containers, which happened to be on this street I travel past quite often. 

And now, every time I walk by, I take a good look and think about my old coach and basketball, all the people I played with, and how one day, like the sport, I might drop any art I do as well.

The art has meaning, which I connect with, but the context about who created it and how it relates to me inspired me to make something of my own."

My instruments

"Creating any art requires some instrument, I think, and possibly, partially, because of that is why there's such a fascination with instruments from artists. 

Some instruments are also just fun objects to portray. Some companies have good logos, but the branding of pianos and certain guitars is incredible, so much so that merely glancing at them makes you want to play.

In this case, looking around my room made me want to paint the instruments I sometimes, but not often enough, use to make music. There's something to portraying one art form with another."

Highway

"Humans spend so much time on highways in cars, going to many places, and most often coming back too. While on the road, the perspectives are fascinating but repetitive. But if you're wasting your time away, traveling huge distances, you might as well enjoy whatever repetitive sights you find.

Convincing yourself that the tedious elements of life are fascinating is a superpower that I wish I could tap into more often.

But honestly, now that I don't live with my parents anymore, being in cars is a rarity, let alone being on highways. If I do happen to travel, it's often by train, but I mostly don't go anywhere.

So this painting is more about my perspective when I walk past the highway at the edge of Den Bosch, gazing into the endless roads, enviously thinking about the countless people going by, many of whom I might never see again, who are riding their cars going to many fascinating, or so I presume, places and coming back."

Janis Joplin

"What a voice. 

It's difficult not to be somewhat mad, although this is very selfish, at all the great artists that died so soon considering all the art we might've had but never will, can you imagine what else Jimi Hendrix, the Doors or Basquiat, could've done? 

When thinking about Janis as well, it's hard not to think about how her life ended and how she suffered throughout, which is maybe unfortunate as there was much more interesting about her.

Still, I think she is unique in that she wasn't that conventionally attractive, which is often very important for anyone famous, but especially for notable women. No, what made her so prevalent was her voice and writing, and deservedly so.

I don't know her, and I'll never know her, so my understanding of who exactly she was is incredibly limited. From what I know, and this can also be intuited by her passing, there was a lot of sadness, but she presented as a friendly and happy person.

And that's what I wanted to capture: the happy Janis, with a large mouth from which came a crazy volume, singing about what interested her, smoking a cigarette, like she often did."

Beautiful Boring LIfe

Like everyone, I'm addicted to keeping myself entertained, meaning I almost always have some video and music playing. Even that often isn't enough, so I also frequently find myself scrolling through social media. 

I like walking, it's another good way to keep myself busy, though even while walking I'm always listening to something. Sometimes, often but not always, while sitting on a bench or during a walk, I remove my headphones, and I sit, look, and listen.

And it makes me feel some weird way that I don't know how to explain, but the best I can do is to call it the beauty of our boring lives.

What if your sister was the Sky and so that any time you'd look at her, she'd be very different?

It means that some days, she'd be so calm, sweet, and sometimes, if you're lucky, even genius. But frequently, she would be more angry and destructive than anything else really can be in your life, destroying anything she wants to, seemingly for no reason. Would you be able to look back and appreciate the genius?

You think you know that she tries her best to be regular and often doesn't remember doing anything wrong, suffering more than anyone else could, from more than she even outwardly shows.

But it's hard to be compassionate because you have in the past, and it never works out great, even though you know that maybe you should and that you're selfish for not wanting to try.

You might have difficulties understanding who she is. It could take you decades to slightly comprehend that she is just what she happens to be that day, depending on the state of the world. Maybe some aspects are pretty familiar from day to day, but are those elements what make a person if everything else changes? 

Perhaps you'll find yourself in a loop, thinking about it all over and over, never reaching a new conclusion, only to realize that there is no final conclusion, and it feels like it's not even worth thinking about anymore. 

Could you stop yourself from disliking her, especially seeing the problems she still, and maybe will forever cause? But even that, you might realize, is pointless because she's not, maybe unfortunately so, a monster.

You can imagine that it would be difficult to trust people in general, seeing as you wouldn't even be able to trust your sister to be the same person the next time you see her, let alone be reasonable or friendly. You might learn to deal with stress weirdly, conceivably contributing to some general anxiety. 

What an easy topic to make "meaningful" art about, though. I'm confident I wouldn't trade in all my art to have grown up without her.

Parent With Child

I'm not very sentimental, or maybe I simply don't want to be.

So when I saw a woman with her child in a cargo bike, and I thought about my parents, how they carried me around the world for so long, and how now they don't. That wasn't me being sentimental: some things in this world are good, interesting, universal ideas that require capturing, which I did.

Honestly, I'm happy to be independent from my parents, and they're probably glad that I can take care of myself. I love them, even if they, understandably so, radiate stress sometimes.

But I feel I should appreciate them more than I do. It's hard to find the time to spend with them (even though it's too easy to find the time to waste on useless dopamine machines). Even when I do, it's challenging to find good topics. So many things are not worth speaking about, and so many worthy things are easy to forget.

They, or probably me, 'deserve' that extra time though;

Because, so often, while working on my art, or I suppose, in general, I still feel like that kid in the cargo bike getting brought to where I need to go by my parents.

Tree In Field

While sitting on one of the great benches of Den Bosch, reality hit me; I was out of ideas for things to paint, which often happens as I paint a lot. 

Actually, honestly, I had already realized this at home, which was the cause of this particular walk. It took this bench to inspire ideas, so I wanted to give it more credit.

Nonetheless, after some time walking, I found a bench worthy of sitting and sat down. I documented six ideas over fifteen minutes of concentrated sitting. The two previous paintings were conceived here, and the next three ones will be, and obviously, this one was also.

This idea was about my surroundings at the time. I looked forward and noticed a lonely tree in this intensely large field. It wasn't a great or meaningful idea, but a good enough excuse to paint anyway, so I wrote it down. 

That's the 'meaning' of this piece: a beautiful tree in a massive field from a fascinating perspective that hopefully makes you feel some way.

Cute Cow

Some people think eating 'pets' like dogs and cats is wrong and eating cows is okay because cows aren't cute. They're wrong. Cows can totally be, and often are, pretty cute. Now, I'll still eat them, so you might consider me evil, but I'll take that as I could've been an evil hypocrite instead.

Pretty close to my house, in a field close to where a family get-together was once, there are a bunch of cute cows I wanted to capture. In actuality, the cows aren't really pink, and neither are the surroundings as portrayed. Even though it's nothing like reality, while looking at this piece, I can feel the wind through my hair and hear the cows communicate their blues.

The next time you walk by some cows, try to see the cuteness in them. In the same way you might for a cat or a cow, it shouldn't be difficult, and if it is you're probably merely biased.

Art inspired by the tranquil benches of Den Bosch. A testament to the beauty found in simple walks and the muse they provide. A homage to moments of reflection and creativity.

The Bench

Going for walks is one of the best hobbies I've got. It's undefeated not only because moving is healthy for a human (like me) but also because it's a great way to waste time, listen to music, and get ideas for art. 

There are many benches around Den Bosch with beautiful perspectives, or at least sights that have me convinced of their beauty, which is one thing I definitely do thank this city for.

Often while out and about I find myself sitting on one of those benches, with or without a piece of paper and a marker, looking at those beautiful sights. 

It's all meaningless and a waste of time, yet still mesmerizing and, more importantly, inspiring for my next piece of art I can waste even more time on.

This piece is dedicated to none specifically but all of those benches I've sat on before and will sit on in the future.

Art piece capturing the depths of anxiety and self-reflection. A portrayal of personal struggles amidst life's uncertainties. Does the title truly match the feeling?

Unending Anxiety

Anxiety has plagued my life, maybe more than is normal for a person. How could I know? It's possible now this is more true than ever. I definitely feel like I'm anxious consistently, with no end in sight. 

It's not a terrible life compared to many, maybe even most, people, but it's probably been the worst couple of months of my life. That might be a testament to how good I've got it, or maybe it's just that I don't want to feel like a loser.

Maybe it's just a stomach bug, then the title would be wrong, but the painting could still fit.

Artwork depicts Gaza during airstrikes; an impersonal view of war in the age of constant media. Can we truly understand?

Airstikes In Gaza

It would definitely be kinda egotistical to think I could have a unique take on this horrible conflict. Can't help but be inspired sometimes though. So to prevent myself from putting something stupid on paper I just painted what I saw. 

Pretty crazy how we basically can just see 24/7 footage of wars now. Fascinating to look at when you're as bored as me. While airstrikes were happening in Gaza I happened to be watching for a little bit. 

Weird how impersonal such a perspective is, but sympathy doesn't come easy for me anyway. So that's what I put to paper; a bunch of buildings, some with lights, even though electricity was cut, with a huge fire smoke coming from a building while missiles fly in the air,  there's something horrible happening, but can you actually see it?

Zen Dageraad's artwork draws from Albert King's song, featuring a unique guitar player and radiant woman amidst abstract hues. Perfect blend of music and art

The Hunter

Inspired by the evocative tunes of Albert King, Zen Dageraad paints a vivid image resonating with musical nostalgia. In the foreground, a fiery red representation of Albert King captivates with his yellow guitar, an unusual scope affixed, suggesting precision in every strum. Adding to the whimsical nature, King's locks flow in a vibrant shade of purple, complementing the adjacent figure. A woman, bathed in a rich red hue with similar purple tresses, graces the backdrop with a cheerful smile, as if dancing to the rhythm. The duo is artistically encased within abstract forms, painted in mesmerizing hues of blue, green, and green-blue, lending a surreal touch. With each brushstroke, Zen Dageraad tells a tale of passion, music, and admiration.

Zen Dageraad's evocative painting, inspired by Velvet Underground, depicts the internal struggle between emotion and reason in a captivating visual tableau.

Between Thought And Expression

Inspired by a poignant lyric from the Velvet Underground's "Some Kinda Love", Zen Dageraad brings to life the internal conflict many face between thought and outward expression. This evocative piece captures the struggle of navigating a dualistic mind: one part calm and rational, the other driven by anxiety. At the center, an intense purple head, filled with fiery red expression, confronts the viewer. Contrasted against this visceral emotion is a delicate pink heart cradled within the mind, hinting at the pure intentions often clouded by anxiety. This arresting tableau is set against a tranquil green-blue backdrop, resembling an enclosed space or 'room'. Through this, Zen Dageraad encapsulates the notion that while our thoughts and emotions may conflict, they are all housed within the same mental space.

Zen Dageraad's artwork captures self-reflection with a pointed gesture and bold colors. Dive into a world of introspection and challenge your perceptions.

Self Absorbed Loser

Conceived during a late-night spark of inspiration, Zen Dageraad crafts a provocative representation of self-reflection. The artwork features an irate, pink-hued figure, vivid against the backdrop of a blue-striped room, pointing directly at the observer. This accusatory gesture is heightened by the audacious yellow crown adorning the figure's head. While the subject remains ambiguous, the painting invites the viewer into a realm of introspection. Zen Dageraad's intention, subtly layered within, is to nudge the beholder to see themselves in the artwork; recognizing the inherent self-absorption that's woven into human nature. With a blend of humor and candidness, it serves as a mirror, compelling us to confront our own egos and assumptions.

Zen Dageraad captures the essence of a Doors lyric with a vivid portrayal of a dancing figure in a purple room, symbolizing the timeless power of music.

When The Music Is Over

Drawn from inspiration by a renowned track from the Doors, this art piece captures the raw emotion behind the lyric "when the music is over, turn out the lights." At the heart of the creation, a blue figure, bathed in a pink shadow, fervently dances beneath a luminous yellow beacon, suggesting that for some, music remains an unending force. The poignant sentiment suggests that life's essence can be found in the melodies and rhythms that resonate within us. Zen Dageraad, the artist, encapsulates this with the surrounding setting: a room painted in varying shades of deep purple. Each element, from the intricately shaded roof and walls to the contrasting floor levels connected by stairs, showcases the depths and dimensions of one's passion for music and life itself.

Zen Dageraad's artwork pays tribute to cherished friendships of the past, depicting vibrant figures on purple with a warm red backdrop.

Friends From The Past

Zen Dageraad's evocative art piece captures the essence of timeless friendships and the inevitable drift that life can sometimes impose. From a young age of 12, Zen has been deeply contemplative about the transient nature of relationships. This artwork serves as an homage to those cherished friends left behind over time, a silent wish for their well-being and prosperity. Two vibrant green-blue figures, symbolizing these cherished bonds, stand poised on purple platforms, indicating the pedestals on which these memories are placed. Contrasting this, the dual shades of red in the background evoke a mix of warmth and melancholy, representing the emotions tied to such reflections. Through color and composition, Zen skillfully conveys the poignant message of longing and remembrance.

Zen Dageraad's artwork captures a poignant moment of a blue figure having its blood drawn. Evocative green shades set the tone for this personal narrative.

Stealing My Blood

In Zen Dageraad's evocative piece, a vibrant blue figure extends its arm in the bottom left, revealing vivid red veins leading to the bottom right. The poignancy is palpable as a blue hand emerges from the top right, grasping a needle that draws blood from the character. The contrast between the blue of the figure and the striking red of the blood is intensified against a background palette of varying green shades, representing a room with a singular window. The painting was borne from Zen Dageraad's personal experience, during a time when he was unwell for two months and underwent a blood test. Although the results indicated no health concerns, there existed an underlying sentiment of having blood taken seemingly in vain – a feeling of theft, perhaps, yet tinged with relief.

Experience the cold embrace of the pines in Zen Dageraad's painting inspired by Smog's song, enriched with whimsical colors and a nostalgic musical narrative.

In The Pines

Drawing inspiration from the musically rich soundscape of Smog's "In the Pines", artist Zen Dageraad ventures into a cold, mystical realm in his work. Although the exact narrative of the song remains a mystery to Zen Dageraad, its essence evoking images of a pine-laden escape, carries through in his artistry. The artist first crossed paths with the tune through a heartrending cover by Nirvana, "Where Did You Sleep Last Night", adding layers of historical and emotional context to this painting.

Amidst the soft, light blue backdrop, Zen Dageraad plants a thicket of pines with contrasting orange trunks and verdant leaves, symbolizing both tranquility and stark reality. A pink railroad whimsically cuts through, bearing a purple train with bright yellow wheels, a literal and figurative vehicle transporting viewers into the chilliness of the pines evoked in the song. The fusion of colors not only accentuates the cold but brings a surreal warmth, an homage to the tune's ambivalence.

Explore Zen Dageraad's poignant portrayal of enduring sickness, capturing the yearning for past vitality and the disquiet of bodily alienation.

Unpleasant body

In a profound reflection of enduring physical ailment, Zen Dageraad translates his disquiet into visual form. The painting materializes after two grueling months of illness, embodying the alienation and desperate yearning for prior vitality. It’s an earnest confrontation with the body, a domicile now unfamiliar and uncomfortable. A dissonance depicted through a purple figure, seated despondently above a green blob, symbolic perhaps of malaise or distorted self-image. The background cradles a lighter green square amidst a soothing pink, a stark contrast that might denote longing and the ceaseless confines of physicality.

The imagery resonates with the universal sentiment of longing for escape from a fleshly prison during lingering sickness, yet being inescapably tethered to it. Through an evocative palette and simple yet emotive shapes, Zen invites viewers into a visceral narrative, unveiling not just personal vulnerability but the shared, human endeavor to find ease amidst dis-ease.

Experience Zen Dageraad's depiction of overcoming unsettling times in his artwork, encapsulating a narrative of endurance amidst a personal health struggle.

Endless Bad Trip

Embarked on an arduous journey, the artwork captures the essence of an enduring tumult encapsulated by Zen Dageraad's recent health battle. Over a span of one and a half months, a relentless ailment gripped the artist, paving the way for this creation. The piece is an embodiment of the vexing feeling likened to an unending bad trip with an obscured finish line.

Central to this narrative is a pink figure, an embodiment of Zen, with distinctive blue hair, striding along a winding yellow path. This figure, with a hand placed contemplatively behind the head, advances forward, depicting an onward march amidst adversities. The vivid depiction doesn’t dive into deeper metaphorical trenches but narrates a straightforward tale of enduring unsettling times.

The surrounding presents a stark contrast with its dark-green field. It is accentuated by diminishing red circles spreading into the distance, perhaps metaphorical ripples of the enduring turmoil. This piece doesn’t seek to journey into profound depths but to narrate a simple, relatable chronicle of enduring and moving ahead, despite the unsettling phase.

Explore Zen Dageraad's evocative street scene, where colors narrate a tale of dusk, shadows and a solitary stroll, unfolding layers of soft nostalgia.

Street, Shadow

Embark on a serene yet evocative journey with Zen Dageraad's intimate portrayal of a simple, everyday moment transformed into a vivid narrative. His artwork invites you into a quiet street scene, where a solitary purple figure strides amidst the gentle embrace of a dusky street, its aura resonating with rich shades of green-blue. The figure casts a prominent dark green-blue shadow, hinting at the soft melancholy of dusk, an emotion that is tender yet profound.

As you delve deeper into the frame, your eyes are drawn upward towards a quaint red streetlight, delicately suspended by a crimson thread. The warm yellow glow emanates softly, caressing the cool hues of the surroundings, creating a gentle contrast. Beyond this immediate spectacle, a series of green buildings unfold in varying shades, skillfully layered to offer a comforting depth, enriching the narrative of a simple walk home post a family dinner.

In the seemingly mundane, Dageraad uncovers layers of reflection and soft nostalgia, his color palette rendering the fleeting moments of dusk with a tender longing that is palpable yet comforting.

Discover Zen Dageraad's captivating artwork, a gentle narrative of youthful curiosity and delight, illustrated through a warm lamp's glow against a serene backdrop.

Valentijn's Lamp

In this evocative piece by Zen Dageraad, an innocent exploration is tenderly encapsulated. At the core of the artwork lies the curious essence of a young child, embodied through the depiction of a pink hand pointing at an orange lamp. The narrative unfolds within the simplistic yet profound act of a baby nephew's constant pointing, a mere observation that carries the beauty of discovery and the endless wonders seen through youthful eyes. The lamp, characterized by varying shades to establish depth, emanates a warm, orange glow across the canvas, embodying the child’s enthusiasm in every radiating streak of light against a cool blue backdrop. The contrasting coolness of the background further accentuates the warmth, making it a tender tableau of a child’s fascinated interaction with the mundane. This piece not only celebrates the naive inquisitiveness of youth but also preserves the fleeting moments of sheer amazement in the ordinary.

Explore Zen Dageraad's visual narrative delving into the emotional labyrinth of family dynamics amid depression. A poignant rendition of helplessness and hope.

I Can't Help

Unveiling the underlying turmoil of familial bonds, Zen Dageraad explores the emotional whirlpool encircling depression and the consequential ripple effect through a compelling artwork. The piece gravitates towards the complicated relationship between his mother and sister, subtly unravelling their internal battles which inevitably embroil him.

The visual narrative is marked by three striking figures, bathed in hues of purple with contrasting green facial accents and yellow locks, each symbolizing a member of this intertwined emotional saga. At the forefront, a sizeable figure, representing Zen, echoes a gesture of helplessness, reminiscing his nephew’s habitual shrug, mirroring his own cluelessness amidst the turmoil.

To the top left, a tear-streaked figure illustrates the despair of his mother, entwined in the agonizing helplessness over his sister's depression. Adjacently, the sister’s figure, depicted holding her legs, is stripped of a mouth, symbolizing her battle with depression that leaves her feeling voiceless.

Their melancholy is framed within a red backdrop in varied shades, sketching the heated, yet helpless atmosphere surrounding them. It’s not merely a portrayal of a personal struggle, but a broad stroke of empathy extended towards those entangled in the tender, often painful, strings of familial emotions.

Experience Zen Dageraad's tranquil landscape inspired by Miles Davis' melodies. Trees in vivid hues meet a vibrant sky. A poetic voyage to peace.

In A Silent Way

Journey into the depths of Zen Dageraad's artistry, a visual ode to the iconic rhythms of Miles Davis. Just as the notes of "In A Silent Way" carry listeners to far-off sanctuaries of tranquility, so does this artwork. Delve into the peaceful sanctuary of nature: trees with ethereal pink trunks and mystical purple leaves stand in graduated prominence. Foremost, a singular tree anchors the viewer, leading to another in the mid-ground, and further on, a distant row completes the triad. The leaves, masterfully segmented in varying shades, exude depth, enhancing the three-dimensional allure. A serene blue swath graces the foreground, flanked by verdant fields, intricately differentiated by shades. Ascend your gaze, and a warm yellow sky awaits, punctuated by fiery red clouds and the gentle flutter of birds. 

Zen Dageraad's artwork, inspired by Pink Floyd, melds surreal visuals with deep introspection on unspoken emotions & fleeting moments. Explore the profound narrative.

Drawing's Over Thought I Had More To Say

Inspired by the poignant lyrics from Pink Floyd's "Time," Zen Dageraad captures the profound feeling of fleeting moments and the sudden realization of unspoken emotions. Through subtle strokes, the essence of the song's words, "The time is gone, the song is over, Thought I'd something more to say," comes alive. The narrative further unfolds in the accompanying poem.

Visually, the artwork evokes a surreal setting. A green figure, representing Zen Dageraad himself, sits pensively on a yellow chair in a distinctly hued pink room, its dimensions playfully skewed. Multiple shades of pink embrace the walls, creating a sense of depth and contemplation. Amidst this captivating backdrop, the man's gaze is drawn towards a blue window, suggesting a world beyond - perhaps of thoughts left unsaid and feelings not fully expressed.

Zen Dageraad's art captures a resilient sandcastle amidst water, inspired by Jimi Hendrix. Unique shading and red elements enhance its dreamlike aura.

Castles Made Of Sand

Drawing inspiration from a song by the legendary Jimi Hendrix, Zen Dageraad presents a poignant representation of resilience and enduring creations. At the core of the artwork, a sandcastle stands tall, its compartments diverging in multiple directions and drenched in varying hues of yellow. This intricate castle sits atop a mosaic of sandy patches, each section uniquely shaded. The adjacent light blue waterway stretches into the distance, subtly caressing the sandcastle's base, providing a gentle juxtaposition to the land structure. Two scarlet boats float on this vast expanse; one noticeably distant from its counterpart, adding depth and perspective. Above, the sky, cloaked in a deeper shade of blue, harbors two unusual red clouds, further emphasizing the artwork's dreamlike quality. An accompanying verse subtly notes, "unlike most castles made of sand, jimmy, yours have not been flooded. Listen, they still stand," encapsulating the essence of timelessness.

Explore Zen Dageraad’s artistic narrative as he captures a serene moment of birds flying over the Sint Jan, blending poetic essence with color intricacy.

Birds Over The Sint Jan

Venture into an idyllic realm through Zen Dageraad's serene portrayal of the majestic Sint Jan amidst a charming atmosphere in Den Bosch. The art piece exquisitely encapsulates a fleeting moment, where a flock of birds whimsically graces the sky above the historical edifice. As articulated in the accompanying poem, this artwork resonates with the simplistic yet profound idea of capturing transient beauty whilst allowing it the freedom to flourish.

A glance at the piece unveils the artist's meticulous attention to detail, manifesting in the various shades of orange that intricately define the structure, contrasted against the blue that adorns the windows, door, clockwork, and cross. The nuanced palette extends to the environment as well with the yellow-bricked floor encircled by a touch of purple, under a green sky that harmoniously houses pink birds in flight.

Within this picture-perfect frame, the essence of the poem finds a visual counterpart. The narrative sketches a calm yet liberating scenario, “birds over the saint jan, I just had to capture the moment, still, they are free to keep flying,” resonating a tranquil symmetry between the poetic verse and the illustrative scene.

Discover the whimsical lights of Den Bosch through Zen Dageraad's artistic lens, painting a love poem of colors onto the crooked streets of this quaint city.

Den Bosch Her Lights

The enchanting allure of Den Bosch, vividly encapsulated by Zen Dageraad in his art piece, interweaves whimsy and a keen eye for the unique lighting that bathes the city. The narrative encapsulated within the visual splendor of the piece resonates poetically with the sentiments echoed in the verse, "i love den bosch / even more / whenever i am / looking up / & notice / the incredible lights / painting the town / & lighting / the crooked streets." Zen Dageraad's drawing delicately captures the essence of Den Bosch's crooked streets, illuminated by whimsical lights that dance across the quaint cityscape.

The piece unfolds a quaint scene, a labyrinth of red edifices leaning in disparate directions, adorned by a cascade of blue-green lights stretching from the bottom left to the center middle right. These illuminations, a yellow hue at the source, cast a gentle glow on the purple road below, contrasting beautifully with the variegated shades of green that make up the sidewalk. As one's gaze drifts upward, a soft pink sky segmented into abstract forms cradles fluffy blue clouds, also creatively subdivided. It's a poetic spectacle, a love letter to Den Bosch, that melds color, light, and structure into a visually resonant narrative, inviting one to explore the city's charming streets under the tender glow of its lights.

Experience the mystique of Zen Dageraad's artwork, where a serene bike path unfolds tales of psychedelic explorations and a journey towards the unknown.







Distant Figure

Embark on a visual journey along a mystical bike path depicted in Zen Dageraad's evocative art piece. This work immerses the observer in a serene yet eerie pathway located behind the Jeroen Bosch hospital in Den Bosch, as traversed by the artist frequently. The scenery, imbued with the spectral resonance of a past psychedelic adventure, unveils a distant figure marching towards a blue realm, embodying the haunting allure of the unknown. The narrative is enriched with a whimsical poem, a tribute to the path's natural psychedelic aura even in the absence of truffles, alluding to a memorable day of curious exploration turned awry.

The meticulous design employs a myriad of shades and shapes to engineer depth and perspective. A yellow path, methodically sectioned and shaded, guides one's sight towards a purple distant figure venturing into a blue enclave, evoking a sense of mystery and anticipation. Adjacent, the yellow-green grass and pink-trunked trees with verdant leaves exhibit a similar geometric technique, delivering a surreal yet grounded frame. A solitary red bench witnesses the scene, a silent testament to past experiences, as told through the prism of psychedelic truffles, friendship, and the unexpected voyage into the depths of consciousness.

The essence of transcendent discovery, the blend of cool and warm tones, alongside a narrative enriched by poetic reminiscence, makes this piece a profound exploration of reality and perception, perceived soberly or under an altered state.

Explore Zen Dageraad's evocative artwork, a celestial blend of colors and emotions illustrating a profound bond. Delve into the melancholic yet hopeful narrative through visual and poetic strokes.

Dark Side Of The Moon

Immerse in the ethereal narrative exuded by Zen Dageraad's poignant art piece, a juxtaposition of melancholy and celestial beauty. The work envelopes viewers in an otherworldly tableau, exemplified by a central moon with contrasting visages. A harmonious blend of colors narrates a somber yet sublime tale - the light blue on the open-eyed left, shifts to a dark blue on the closed-eyed right. The face, encased in a tender pink outline, releases a green tear from its veiled eye, symbolizing hidden anguish amidst cosmic elegance.

Zen Dageraad's artwork is an ode to the tranquil yet melancholic nuances of his sister's disposition, vividly depicted against a background dotted with yellow stars and blanketed in vibrant purple. The emotional resonance is deepened by the tender verses, "my sister is both the moon & a starry night, I wish I knew how to make it right." Every stroke and hue melds with the evocative lines, crafting a dialogue between melancholy and hope, echoing the haunting tunes of "The Dark Side of the Moon" that inspired this visual narrative.

Zen Dageraad's evocative artwork captures two blue geese on a winding road, set against a gradient pink canvas. Poetically described.

Geese On The Road Again

On a serene walk through the outskirts of Den Bosch, Zen Dageraad captures a poignant moment: two geese, one slightly darker than the other, sauntering along a winding yellow road. Oblivious to their vibrant blue hue, they move with purpose against a tapestry of contrasting shades of pink, which subtly graduate from a deep tone at the base to a soft pastel at the zenith. This road, outlined in a bold red, meanders from the bottom left, disappearing and re-emerging, creating a rhythmic dance across the canvas. Two trees, one with light green leaves and the other with a darker shade, provide an earthy balance with their orange branches.

Explore Zen Dageraad's vivid depiction of a contrasting world: from a desolate figure to soaring birds, encapsulating life's balance. Dive deep into its narrative.

Don't Worry Be Happy

Amidst a vibrant landscape, a solitary yellow figure with a somber red mouth and whimsical purple hair sits dejectedly. Its arms tucked behind its head in a pose of melancholy, this "poor yellow fellow" contrasts sharply with the uplifting message: "the song is right, great advice & very wise." Seated on an unstable red bench—one leg dangling in the air—it rests on a rich purple ground casting an ominous shadow. From this earth sprouts a vivacious orange flower, its petals painted a shade darker, signifying hope. Above, the light blue waters ripple, as three radiant orange birds fly freely. The scene transitions to blue-green terrain, where a lively orange figure strides confidently. This transitions into lush green grounds dotted with bushes, overshadowed by towering dark green trees. High above, a unique tree flourishes, its light green leaves adorned with yellow, purple, and red dots, all under a deep blue sky. Zen Dageraad's masterpiece prompts reflection on life's highs and lows.

Zen Dageraad's art captures the legacy of Mark Rothko, exploring the bond between artist & artwork. Poignant commentary on appreciation & context.

Love, Don't Kill The Artist

Capturing the essence of the relationship between the artist and their art, Zen Dageraad presents a poignant commentary on the legacy of artists. The piece juxtaposes a portrait of Mark Rothko, framed within a heart, with one of his iconic artworks, "Untitled (Blue Divided by Blue)," side by side on a wall. The vivid setting is painted in varying shades of red; from the lightest hue on the floor to the darker shades on the surrounding walls. A striking purple bench sits on the ground, casting a deep red shadow, flanked by a green door and window.

Inspired by a personal conversation about Picasso's sketches and how context influences art appreciation, the piece delves into the paradoxical nature of artists' lives and legacies. Rothko's intent to "kill the artist" culminated tragically in his own death. Yet, the art remains, and in part because of his tragic end, it is now extremely popular.

Zen Dageraad's piece delves into Zoomer sentiment, contrasting a laughing green face against red frowns, paired with a contemplative poem.

Too Contrarian To Be Sad

A commentary on the contemporary sentiment of the Zoomer generation. At its heart, a green face with distinctive features – a full left eye contrasting with a right-facing one, eyebrows extending into the nose and ear, a subtle mole, a hint of a mustache, and an infectious laughter. The face's rich green hue, outlined with a deeper green, contrasts starkly against the lighter blue that dominates the top, symbolizing perhaps a rare moment of joy in a sea of melancholy. Flowing from the top is a cascade of hair, outlined in light yellow but filled with a more intense shade, embodying vibrant energy and movement. But at the base lie three red frowning faces, underscoring the prevalent sadness. Between them, a deeper blue pervades, drawing a line between jubilation and sorrow. Accompanying the image is a poignant verse that contemplates sadness and identity: "i am not sad... & there is that."

Size	Price
A6	€ Contact for price
A5	€ Contact for price
A4	€ Contact for price
A3	€ 200
A2	€ 300

Some of my art is for sale, they've been marked as 'for sale'

Pricing information for buying an original artwork

Fill in to purchase some cool art

This is for sale